DSMC2 GEMINI Technical Specifications
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DSMC2 GEMINI |
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Specification |
Description |
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Sensor Type |
GEMINI® 15.4 Megapixel Dual Sensitivity CMOS |
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Effective Pixels |
5120 x 3000 |
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Sensor Size |
30.72 mm x 18.00 mm (Diagonal: 35.61 mm) |
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Dynamic Range |
16.5+ stops (Both Sensitivities) |
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Max Data Rates |
Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) |
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Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
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REDCODE® RAW Max Frame Rates1 |
75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
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Playback Frame Rates (Project Time Base) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
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Best Available REDCODE Settings1 |
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps |
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REDCODE RAW Acquisition Formats2 |
5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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Apple® ProRes |
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
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Avid® Codecs |
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
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Construction |
Aluminum Alloy |
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Weight |
3.35 lbs (BRAIN® with Integrated Media Bay) |
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Operating Temperature |
0°C to 40°C (32°F to 104°F) |
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Storage Temperature |
–20°C to 50°C (–4°F to 122°F) |
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Relative Humidity |
0% to 85% non-condensing |
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Color Management |
Improved in-camera color science Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2® expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
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Audio |
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
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Remote Control |
Integrated R.C.P.™ WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
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Monitor Outputs |
3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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Monitor Options |
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF® (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO® Adaptor A and LCD/EVF cable. |
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REDCINE-X PRO® Delivery Formats |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
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Video Editing Software Compatibility3 |
Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro® |
- REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information, see the DSMC Media Operation Guide.
- For more information on available acquisition formats, see the DSMC Media Operation Guide.
- Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.