RED RANGER MONSTRO Technical Specifications
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RED RANGER MONSTRO |
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Specification |
Description |
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Sensor Type |
MONSTRO® 35.4 Megapixel CMOS |
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Effective Pixels |
8192 x 4320 |
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Sensor Size |
40.96 mm x 21.60 mm (Diagonal: 46.31 mm) |
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Dynamic Range |
17+ stops |
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Max Data Rates |
Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) |
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Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
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Max Frame Rates1 |
60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
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Playback Frame Rates (Project Time Base) |
23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
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Best Available REDCODE® Settings1 |
5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps 12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps |
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REDCODE RAW Acquisition Formats2 |
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, 4:3, and Ana 2x, 1.8x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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Apple® ProRes |
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
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Avid® Codecs |
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps |
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Construction |
Aluminum Alloy |
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Weight |
7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount) 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock) |
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Operating Temperature |
0˚C to 40˚C (32˚F to 104˚F) |
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Storage Temperature |
–20˚C to 50˚C (–4˚F to 122˚F) |
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Relative Humidity |
0% to 85% non-condensing |
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Color Management |
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
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Audio |
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Integrated dual channel 5-pin XLR, uncompressed, 24-bit 48 kHz |
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Remote Control |
External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger |
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Monitor Outputs |
3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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Monitor Options |
DSMC2 Touch 7.0" Ultra-Brite LCD (Direct Mount), DSMC2 RED® Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. |
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REDCINE-X PRO Delivery Formats |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
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Video Editing Software Compatibility3 |
Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro® |
- REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information, see the DSMC Media Operation Guide.
- For more information on available acquisition formats, see the DSMC Media Operation Guide.
- Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.